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The figure of Chopin reflected in Music in Darkness by the romantic Nocturne is the most conventional. It is as if Bach's concerto leads us step by step into her inner world. At the end of Saraband, Marianne pays a visit to her daughter Martha, who is ill.
They are both means of expression and communication which bypass reason and reach our emotional centres. The image remains unchanged for three bars, and the obsessive ticking of the clock, which has regularly appeared since the opening credits to remind us of the imminence of death, has stopped. The film starts at the dress rehearsal of the ballet and ends on the opening night.
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