Planetclaire

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The B's' sonic universe is one of quirks, odd-turns, and then even more quirks. These aren't "sung lyrics" as much as they are stone cold facts, and that distinction in performance is what ultimately helps sell the song despite its otherwise clownish qualities.

Planetclaire


It's pure absurdism, almost childlike in nature, but the whole reason why "Planet Claire" and the rest of The B's works is because the band does all of this with a straight face. Opening with the sounds of scant radio frequencies before Ricky Wilson's propulsive guitar notes come in, the entire first half of the song is instrumental, as it appeared to be far more important to establish the world of the B's before any words were to be inserted into it. Thus, while some may view "Planet Claire" as dismissible and nothing more than a novelty, the commitment to character that shines through this performance is what sells it, and, for many, this proved to be the pitch-perfect introduction into the world of the B's.

Planetclaire

Planetclaire

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4 thoughts on “Planetclaire”

  1. So with Ricky's guitar, the band's use of bongos, and Kate's indelible synth harmonizing, "Planet Claire" absolutely bleeds '50s schlock novelty, ready to soundtrack a party lit only by lava lamps or perhaps serve as the soundtrack to a film about some rather swingin' aliens. The B's' sonic universe is one of quirks, odd-turns, and then even more quirks.

    Also, it's worth noting that if that opening strut of a riff sounds familiar, that's because it's is an unintentionally sped-up take on Henry Mancini's classic number "Peter Gunn"; although Mancini has subsequently credited as a co-songwriter, such accreditation happened long after the fact, as even the CD release of the album still only cites Fred Schneider and Keith Strickland as the track's masterminds.

    So with Ricky's guitar, the band's use of bongos, and Kate's indelible synth harmonizing, "Planet Claire" absolutely bleeds '50s schlock novelty, ready to soundtrack a party lit only by lava lamps or perhaps serve as the soundtrack to a film about some rather swingin' aliens.

    The B's' sonic universe is one of quirks, odd-turns, and then even more quirks. In Dance This Mess Around, our ongoing Between the Grooves feature tackling great albums track-by-track, we are looking at the opening salvo of one of the greatest pop albums ever made, and here taking on Athens, GA rockers the B's and their eponymous debut.

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